WRITE IT . . . SHARE IT . . . HEAR IT BACK
You seem to be using an older version of Internet Explorer. This site requires Internet Explorer 8 or higher. Update your browser here today to fully enjoy all the marvels of this site.
Writer Notes
Please feel free to discuss any method of writing that works for you best. This is mine. What do you think? What's yours? Got any other ideas?
Listen to the Reader
Plotting Backwards
By: TypeO
I can finish a story quicker and easier by beginning at the
climax and plotting backwards. I just think of a ridiculous
scene, which is emotionally gripping and satisfying, then I
think "So how did these characters get here?" This method has
also proven to render more cohesive character structures and
more streamlined themes.
Of course many writers, if not most, want a story to write
itself. They come up with a "normal" main character, a few
undefined characters, and start pushing them all forward into
a series of predicaments hoping that the path will make them
more interesting and lead eventually to a worthwhile ending.
And this work method is fine for those writers; I don't
discourage it.
But if you look at your novel as a map, whereon the writer
must take the reader from point "A" to point "B", along the
best scenic route his economy of words will allow, think of
how much easier it would be to diagram the course by beginning
at the destination and stepping backwards from it, step by
step, until a reader's random beginning is reached. In
other words, set your pencil at point "B" and draw a line to
point "A".
Here's what I do:
Step 1)
Climax: Charlie and Rosie are in a station wagon, teetering on
the edge of a cliff.
Question: Why do I care?
Answer: Because they just robbed a bank and the trunk is full
of cash.
Step 2)
Question: Why do I care?
Answer: Because Charlie was the robber, Rosie was the hostage,
and they've fallen in love while trying to escape the
police.
Step 3)
Q. Why do I care?
A. Because Charlie has never been in love before and Rosie
needs to pay for her mother's operation.
By constantly asking yourself, "How did this person get
here?" and answering it with "Why do I care?" and choosing the
most emotion-pulling answer, you might find that the story
writes itself faster and better.
I once wrote a climax in which a young boy, hunting in the
woods, mistakes a woman for a deer and shoots her dead. What
made this act the most gut-wrenching? It was his mother. Now
-- moving backwards -- what could make this even more
gut-wrenching? Well, maybe he'd just had an argument
with her the day before. Now I knew I was going to write
about an argument between them the day before. Then I
thought, "What would be the most gut-wrenching argument
between a mother and son?" Now I knew I was going to be
writing about circumstances leading up to the argument. And
so on. When the story was finished and you could read it
forward, it read pretty well. It was logical and streamlined,
and it was full of emotion.
Okay, so -- maybe this technique will work for some of you out
there. Try it and see. And let me know if you have any other
writing methods that might help.
Anyways, I hope this helps someone out there. Let me know
what you think.
Poll Results
Refresh
-
Is It Interesting? 1 Vote(s)
100%
-
Are the sentences smooth? 1 Vote(s)
100%
-
Is the narrative voice appropriate? 1 Vote(s)
100%
-
Are the word choices good? 1 Vote(s)
100%
-
Is the dialogue believable (if any)? 1 Vote(s)
100%
Founded by Steve & Judy
Comments